
Naoya
Yoshikawa possesses a serene, yet critical gaze deeply rooted in “Memory,”
“Family,” “Society,” and “the Photographic medium itself.” Furthermore, from
the perspective that “photography does not preserve memory but exists alongside
forgetting,” he makes the uncertainty and fluctuation inherent in photography
his subject. “Family Album” reconstructs his own family photographs,
visualizing the “distance” and “sense of absence” between record and memory,
thereby re-examining both the “intimacy” and ‘anonymity’ inherent in family
photos. He is an artist who continually questions “what photography is.” Rather
than focusing solely on the subject being photographed, he weaves
media-theoretical perspectives into his work, such as “why this moment was
recorded” and “the power photography holds.” His exhibition methods are also
highly deliberate, consciously designed to alter meaning through presentation.
His photographs are often daily snapshots, yet they remain conscious of social
context and relationships with others. The work “American Snap” calmly observes
strangers on the street and urban landscapes, consciously examining the
“boundaries between self and other” and the “Japanese perspective,” questioning
“what it means to encounter another.” His photo book “Happy Dog” expresses
everyday happiness and simple warmth through images of his beloved dog, yet it
also carries perspectives on “the distance in seeing others” and “the
coexistence of familiarity and distance.” Furthermore, his long involvement in
photography education has given him a perspective grounded in photographic
history and media theory. Consequently, his work is characterized by structural
inquiry and social critique.
Naoya Yoshikawa was born in 1961 in Japan. In 1984 he graduated from the Osaka
University of Arts, BA, Japan and from 1989 till 1995 he studied at the
Southampton Master Photography Summer Workshop of the Southampton College, Long
Island University, New York, USA and in 1993 he graduated from the Osaka
University of Arts, M.A., Osaka, Japan. After a long career initiating,
curating, coordinating and organizing numerous photography related workshops,
international competitions, guest scholarships, residencies and exhibitions,
Naoya Yoshikawa currently works as professor at the Osaka University of Arts,
Japan and investigates his personal processes as a photographer. He showed his
work within many solo exhibitions in Japan and participated in a large quantity
of group exhibitions worldwide. His work has been included within the
collections of a wide range of international art institutions.




















